When artists depict nature, they usually show it in all its glory—vital, colorful, and teeming with energy. Think of the cave paintings of Lascaux, the flower paintings of Georgia O'Keeffe, or Monet's water lilies.
However, that same creative nature also has a dark, destructive side that is inevitably linked to life. Instinctively, the sight of that dark side—death, decay, disfigurement—repels us, yet we are equally drawn to it, as illustrated by the film clip of the cliff divers of La Quebrada by Hannelore Vandenbussche. There is little doubt that better-trained divers can be admired at the Olympic Games. But the fact that these cliff divers throw themselves from dizzying heights into a wild sea and a narrow, shallow bay surrounded by sharp rock walls adds an extra dimension to their act, which can only be explained by our fascination with (self-)destruction.
Fascination, moreover, is not the only positive emotion we experience when confronted with images of destruction, vulnerability, and decay. We are also capable of deriving aesthetic pleasure from them. And especially when artists, such as Kris Martin, Bram Coppens, and Marco De Sanctis in this exhibition, open our eyes to them and enrich our experience of them.
- Benjamin Von Wong - Turn Off the Plastic Tap, 2021
- Hannelore Vandenbussche - De klifduikers van La Quebrada, 2022
- Dylan Martinez - Waterballoons, 2024
- Johan De Wit - Stilleven zonder titel, 2023/24
- Kris Martin - Untitled 12
- D.D.Trans - Duel, 2021
- Randoald Sabbe - Rain-Drain-Brain, 2024
- Jus Juchtmans
- Bram Coppens - The Last Resort, 2019
- Michaël de Kok - Pool, 2024
- Ewoud Viane - Water Arum, 2024
- Marco De Sanctis - Marine
- Stijn Cole - Blueprint - Le Tréport
- Hilde Deceuninck - Arena, 2024
- Mohammed Alani